Crazy Rich Representation

Saw Crazy Rich Asians. You need to. Go go go pay the money and go. Maybe eight times.

I’m not great at sitting through movies because sitting still is a challenge for me in general. I did not have a problem sitting through this film for a few reasons, not the least of which is, it’s a great movie! Sure, I do like romantic comedies sometimes. Many of them feel like something to flip on while I cook dinner or clean my shower. Not this romcom. The film itself is light and humorous in several places, which I found entertaining. The fashion tickled my fancy for sure. But the movie actually deals with a dense array of themes and issues that truly held my attention. I should say, the movie is based on a best-selling novel by Kevin Kwan- Kwan deserves the credit for this brilliance in intersecting themes.

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Photo by Fancycrave on Unsplash

Representation matters. Hollywood especially needs to heed this message a thousand times over. It matters that the cast of this film was not centered around white leads (or even supporting roles!) because so often, this centering creates a one-dimensional character that fills a stereotype or perhaps edgily fights against it, yet in the process of fighting still upholds that identity. It matters that the film actually focused on women character development more deeply than the men. It truly matters that this movie deals with class- albeit sometimes in a funny, glamorous way- because here in the United States, we don’t talk about class nearly enough. It also matters that this movie deals with fraught relationships and misogyny.

Without spoilers, intersectionality plays a big part in the conflicts between different characters.  Questions are left for us to answer- what is family, really, and how do we connect and support our own? How does the privilege of resource affect our bias? How can we live out feminism in different ways? The movie isn’t just important because it cast several Asian and Asian-American actors together- it is an essential commentary on how race, gender, class, language, culture, and sexuality define boundaries and sometimes clash within a single person’s identity.

I will not claim to find much commonality with most of the characters in the film because my context and privilege is different (also, I can look literally anywhere to see “me” represented in any field or sector). I spend much of my day immersed in questions of race, religion and class because my job is to interrogate how these concepts affect public life in the United States. One particular element did feel quite close to home. The film helped me begin to question how my family system affects my work in terms of what we “preserve,” what values we continue to uphold. Increasingly, my family and I clash in terms of what we value. My job is not to dismiss their traditions without engagement. Reflecting on the moments of change in our own values matter because we need to recognize the catalysts. Crazy Rich Asians matters because it is itself a catalyst in how Asian and Asian American identities are recognized as relatable but not one-dimensional. Final note- the soundtrack is amazing.

 

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Golden State Sacred!

The day after something big feels a little eerie. “I’m definitely supposed to be somewhere, but I can’t remember where,” entered my mind several times this past Friday. The mobile exhibit that I spent the last year developing and growing has finally launched. On Thursday evening, we hosted a reception to reveal the objects, artifacts, photographs, and stories that only begin to touch on the sacred history of California. It felt great to welcome so many folx to an iconic Los Angeles space: the first synagogue in Los Angeles, the host to the Women’s Mosque of America, and a place of intersection for faith, art, music and community (Pico Union Project, shout out!).

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Sneak peak of GSS before the crowd

This week I’m cheating a little bit by posting the transcript of my opening remarks for the exhibit for a few reasons, not the least of which is, I didn’t get to writing a regular post last week. More importantly though, I believe in this project because the purpose is similar to this blog, which is to lift up stories of perseverance and commitment despite marginalization and oppression in the world. I am so thankful to everyone that came, ate, observed and interacted, asked questions, offered feedback, and met someone new.

Hey Friends. Thank you for coming out to Downtown LA on a warm August night during California’s inaugural Interfaith Awareness Week. It’s really wonderful to see so many familiar faces, and equally great to see new friends. I’d like to give you a brief picture of the vision for Golden State Sacred: A mobile exhibit dedicated to California’s sacred history. Before anything, I want to acknowledge and thank the Tataviam and San Gabrieleno tribes who are the original stewards of this land, and whose land we occupy here. A note about the food we are enjoying tonight- X’tiosu is a Oaxacan-Middle Eastern fusion restaurant in Boyle Heights, started by two brothers who migrated to California speaking no English or Spanish. X’tiosu means “thank you” in Zapotec, one of the many indigenous languages spoken in the Oaxacan region. Hello Cake Girl is a practically all vegan and gluten free bakery also located in Boyle Heights.

I love California. Though I have spent almost half of my life living outside the Golden State, absence makes the heart grow fonder, and believe me, it doesn’t get much better than living an hour from the beach, the mountains, sports matches, and the best of every cuisine you can imagine. So when Reverend Jim Burklo, whose office is full of fascinating artifacts, suggested how cool it would be to start an interfaith museum, I thought “sure, that would be cool.” When he mentioned that someone told him the concept was impossible, I knew we had to pursue it. Golden State Sacred is an un-museum, in a way. The objects you see here represent only a tiny amount of our history. Through this project, we hoped to raise awareness of the stories of sacred communities that often go unheard, or perhaps have been erased. These communities have all contributed to social, political, and public life here in alta California- through immigration, innovation, and interfaith cooperation.

The exhibit challenges two main ideas: first, that history is static and in the past, and second, what we usually mean by “religion.” Golden State Sacred is never finished- as we continue to collect stories and artifacts, the exhibit grows richer. The exhibit also takes on the presence of its location. For example, tonight we gather in the oldest synagogue in Los Angeles. As a true interfaith community center, this space hosted the first Women’s Mosque in America and consistently welcomes faith-based celebrations, art installations, music, and other community building activities. This space matters to our sacred history. We might not say that absolutely anything is religion, but what can we include when we consider ritual, community, commitment, divine images and names, culture, race, gender, and so many other intersections?

Some of this history should make us deeply uncomfortable. As you’ll see, religion is embedded in violence and oppression, from enslavement to internment to state-sanctioned surveillance. It is essential to engage with these truths, often ignored or avoided, because the pursuit of justice requires a deep understanding of past injustices contributing to current ones. Golden State Sacred is a balancing act- how do we engage with our own communities in ways that promote interfaith cooperation by both celebrating those before us and recognizing the wrongs committed?

Finally, and most important, some notes of gratitude. To the Interfaith Youth Core, the Germanacos family, the Stanford Office for Community Engagement, and the most beloved USC Office of Religious Life, thank you for both resource and moral support. I offer the most profound gratitude to the individuals and communities who shared their time, their stories, and their objects with us. Thank you to my family for dealing with a mess of objects and book stands and tablecloths and glitter in the living room. Many folks in this room offered their wisdom, including obscure sports chants like “Och Tamale” from the University of Redlands. Finally, though I do not mean to single anyone out, there is someone who has been with this project since its unique inception- this person designed the logo on all the materials, worked to make the exhibit aesthetically pleasing, and most of all spent many late nights talking through everything from social media to color schemes to sharing a mutual love for Jackie Robinson. Jose, thank you for never giving up.

Blowup

The title of this post comes from a conversation I was having with a friend about taking care of infants. Y’all who know, know what we were talking about and I’m just going to leave it at that. So this past weekend and mainly this morning, I had an experience to which many of us can relate. I don’t want to use specific words for it because there is no one title for it, so I’ll call it “coming up.” Stuff came up for me. Like, a bunch of stuff.

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Photo by rawpixel on Unsplash

The first thing that happened was a real impulse to cry. I fed that impulse. Mascara was everywhere, and then makeup, and then other stuff. You know that phrase “ugly cry?” Imagine the ugliest. Then my body started to hurt, like after a really tough workout. My neck and shoulder muscles especially just ached. It was as if they were holding in all these unexamined emotions right there, right in the fibers. The knots began to stiffen, and then suddenly release. An outpouring. I curled into bed, clutching a pillow and waiting. While I waited to calm down, I tried to observe the thoughts that scrolled through, the visions that caused these feelings- feelings of worthlessness, being small, being unlovable and irrelevant and a failure, feelings of living in a body that holds guilt and shame inside of it- flashed over and over. It was a blowup. Except instead of a diaper to clean up, it was the thoughts. Slowly and carefully, I imagined a mop gently wiping the inside of my forehead. It felt soothing.

What is this blowup thing, and where did it come from? Different folx have different answers. Sometimes it’s a place. A smell, a noise. Sometimes a person. Sometimes a memory that appears out of nowhere. Sometimes there is no explanation. If I try to pin down the origin of this time, I’d say it has something to do with returning to writing my own story. Sometimes knowing is helpful, and other times I think it’s really about processing. Because I am writing, I wanted to lean into what was happening. I drew a thought bubble chart that helped me parse some of what’s happening. Stress about the exhibit opening. Fear of failure. Rage about injustice. Trauma in my body. I circled body because I continue to struggle with the healing process. And I started writing, and crying, and listening to the first sermon ever preached at the Women’s Mosque of America in my home city. Edina Lekovic, the Director of Policy and Programming for the Muslim Public Affairs Council, gave a call to action. “We must build upon this beautiful truth,” she said. “The truth that we now have a Women’s Mosque, and our daughters will say ‘of course we do’ when they grow up. We are inclusive, not exclusive. We are open, not closed***.”

I want to help build these beautiful truths for which women continue to lay the foundation. I am glad everything “came up,” because like a foundation the pain sits and stirs once in a while. Upon this foundation, we can build not walls but windows into beauty, and greatness, and love.

You can check out this amazing sermon here: https://www.youtube.com/watch?v=4g26wK-VYV0

Gold’s Food

Jonathan Gold, iconic Los Angeles food writer, passed away on Saturday. Just as I heard the news, I was shoving a donut in my face and enjoying local art in pleasant summer evening air.

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LA-inspired cupcakes: jamaica-lime, brown butter peach, michelada

I felt particularly sad about Gold dying. It’s not as if I knew him personally, or even saw him often on television. I did pour through his books and reviews of restaurants. When the food truck craze hit, I appreciated that Gold encouraged eaters to frequent the trucks started and owned by immigrants and children of immigrants. He challenged the whole notion of “exotic” food, suggesting instead that Los Angeles is home to traditions and cultures that often center around food. Instead of writing “critically,” Gold pointed us to the “unknown” eateries around the city that make me homesick when I’m away for too long.

As I have been researching and interviewing for the mobile exhibit project Golden State Sacred (you can follow @goldenstatesacred on Instagram, shameless plug), my goal remains the same even as the design of the exhibit shifts. Los Angeles is a global city of untold stories. My hope was to begin collecting these stories and stewarding them through the objects on display. So far, I have been so lucky to meet people gracious enough to share their stories with me, even beyond their faith. What is amazing to me is how everyone makes a way here, somehow.

We have much work to do. The cost of living in California is beyond atrocious. Despite what seems like a new luxury apartment building going up every day in the greater Los Angeles area, affordable housing is dire. As a surgical resident, my sister saw her fair share of addiction and substance abuse. While these should not be political bargaining chips and have been used as such in the past, we cannot deny that people suffer. We cannot deny that California is as much a police state as every other, and people of color experience racism and different kinds of violence every day. This state is soaked with the blood of California Indians who worked through forced labor to build the now prized missions. It is stained with the chain link fences that caged American citizens. It is responsible for the murder of unarmed black bodies and the exclusion of human beings based on alleged legal documentation.

The stories that I have collected- as Gold collected through food and dining- give me reason to confront the violence and erasure that religion has caused on this stolen land. Saturday was a day of mourning for the children who have been separated- it was, at the same time, a celebration of young people that organized and led the action in downtown Los Angeles. I hope to keep the stories alive because they deserve honor and remembrance in the years to come. Just as Gold left glamour and ritz to the other food critics, I want to make myself uncomfortable enough to keep learning every day.

Can I Use Expletives?

Though I try to avoid using them in my writing, I love a good swear word. We could probably have an entire debate about which one works best in a particular situation. The crispness of two consonants hissing off the teeth feels so satisfying. Why are expletives so…off limits?

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Photo by Bill Jelen on Unsplash

Expletives of course are words that make a statement- sometimes inappropriate (who decides that?) and often cut from public media because they are dirty, obscene, profanity, or cussing. Again- who dictates what language we should use in particular situations? Sometimes they are used to degrade and dehumanize, so I have to be upfront and say expletives are not always helpful, they can be harmful. But maybe the root of naughty words can help us frame the sh**storm that happened this week and what comes next.

I remember watching a proto-YouTube video once that detailed the history of the “F” word. I was around eleven. The video demonstrated that the F word is one of the most versatile in the English language- it can be a verb, a noun, a gerund, an adjective, and an exclamation, among others. I showed the video to my sister, nine at the time, who giggled as though she had secretly glimpsed  a raunchy scene in an R-rated movie. My grandmother came over to see what we were fussing over, so we had no choice but to show her the video. She watched, expressionless. Finally, the video ended, and she looked distraught. “That word does NOT come from German, it comes from Latin!”

Taking a lesson from Grandma Mary, the root of “expletive” comes from the Latin explere, meaning “to fill.” An expletive is a word used to fill a sentence or verse without changing the actual meaning. Think poetry rules. Seemingly, an expletive is an excessive addition to someone’s thought- we don’t need it to understand their point. We do need it to follow the rules of language, maintaining the correct number of syllables and perhaps a stylistic upgrade. So, in a strange sense, expletives might seem like rule-breakers when used to profane or curse, but traditionally, they actually maintain the formula.

The importance of how we understand expletives is actually in how we think about rules in this moment. Last week I met with some religious life professionals for an inaugural training session and got a sense of how higher education professionals interact with chaplains and religious life on their campuses. The gathering was tense for a few reasons, not the least of which was the untouchable elephant in the room that involves human rights violations, religious intolerance, and dehumanization to the highest degree. The subject itself was an expletive. I wondered- what would it be like to break this rule that says we can’t talk about it, because feelings will be hurt?

The real takeaway for me, frankly, is that rules are oppressive when they allow a group of people in power to feel hurt when an oppressed group moves toward some kind of equity. Remember that quote “when you’re accustomed to privilege, equality feels like oppression?” I’ve been thinking about that quote every day. I would add that when you’re accustomed to rules, challenging them feels like a violation- but in this moment, violations of what we think we need and know are the only thing that can bring forward the equality of the oppressed. So F*** the rules.

Home and Home

After an all-too-indulgent weekend, I climbed into a Lyft at San Jose Airport, headed back to my apartment in Palo Alto.

“Headed home?”

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Photo by Luke Stackpoole on Unsplash

I stumbled a little. “I’m…both going home and coming from home,” I finally mustered. That morning, my mom raced to Burbank airport in rush hour traffic. I boarded exactly twelve minutes before the flight was scheduled to take off. As we drifted up and over the San Gabriel mountains and up the coast, the landscape reminded me: this is home.

This past week I finished my first year of graduate school. Admittedly, it was more emotional than I imagined it would be. I didn’t turn in the last paper feeling like the stress was barely beginning because the grade is what matters. Letting go felt like permission to celebrate an accomplishment- staying in the room when things got rough. After I turned in the paper, I turned on the Dodger game, threw some clothes in a suitcase, and started a memoir I’ve been hoping to read all year. I kept telling myself it was ok to enjoy a few hours of no commitment.

What does “home” have to do with the PhD program? I could be studying anywhere, but I’m back in California like I hoped. That same night I finished, a student who will start the program in the fall sent me a message. “You finished! What is your biggest piece of advice to a first year?”

Part of me wanted to say, “You have no idea what you’re getting in to. Even if you have a Master’s Degree, you have no idea what kind of caliber work is expected. And how many hours a day you’ll spend reading, or preparing, or formulating a single sentence.” But I didn’t say that, because what use would that have been to me nine months ago? I probably would have cried a little and moved on without any real wisdom. So instead, I said what I truly wished someone had told me before I started, which is how lonely this work can be. This might sound obvious- you read and write all day? Of course these activities are done solo. But the detachment from a community can deeply affect even the quality of our work.

It was really the writing class in the winter quarter this year that helped me expand my purview of “home.” As the weeks went by and we joked about how #transformed our writing would be by the end of the class, I started feeling like maybe this was something I could do. Maybe I could even be good at it. That feeling came from the work of building community based on appreciative critique (though some days, critiques escalated to strong words) and well, internet memes. The point is, I began to see how crucial it is to involve others in every step of my thinking.

I remember the day I walked into our writing professor’s office. “This isn’t the paper I want to write,” I confessed. “I really want to write about how patriarchal and white interfaith dialogue spaces are, and how I think we can do better.” She jumped from her chair and handed me three books. “It’s like you’re talking to three different fields,” she said. “This could be helpful to so many people.” At the end of the day, I’m carrying on in the long nights of reading and early writing sessions because I do want my work to be helpful. Feeling at home means I talk to the people for whom it will be useful and finding my voice in the meantime.

Space

About a year ago, Jose and I packed a burly Chevy Tahoe full of our stuff and set out for home. We took about two and a half weeks to finally arrive in Los Angeles after touring the northern United States. In the weeks that followed, I wrote almost 50,000 words describing our trip- who we met, what we ate, what scared us, what we learned about people who do not live where we do. With two weeks left in the Spring Quarter and what yet again seems like a million assignments to complete, I feel as though that trip happened years ago. Of course so much has changed.

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Photo by NASA on Unsplash

One thing I have learned constantly for a little over a year now is what it feels like to experience both intense depression and despair and genuine joy. I am back in New Mexico this weekend to meet with the chaplains and think toward the future about our field. The upcoming conference and our work feel promising. I find myself immersed in my work at Stanford feeling a real sense of purpose- even enduring the struggle in a way that feels good. My colleagues around the table have expressed that sometimes, the work doesn’t feel meaningful. And sometimes, amidst distractions like email and reports and meetings, the work still makes sense. But the reality is, sometimes what is meaningful changes, and sometimes what is meaningful is not worth the headache. Context matters as much as action.

I realize, as I return to our roadtrip last year, that sometimes we need to let go of meaning in order to free ourselves of grief. As we drove across the country, I was searching for some kind of closure to our time in Boston- this was “a new beginning.” But it wasn’t actually the beginning, or an end, it was a process of losing and making space to actually begin. One chaplain suggested we must “lean into a struggle when we don’t necessarily know what that means.” When we can’t name what we want, how do we know what to change?

As we navigate the joint conference between the two chaplain organizations, we must lean into the struggle to define our joint meaning. I realized today that this poses issue in “trivial” things- like where people pay to register, or what the schedule of conference sessions should be. All of this plays into a larger question about what makes this experience meaningful enough for people to come- the small struggles illuminate larger convictions about why we work through them.

A year ago, I felt so empty of meaning. The job I loved for many reasons also caused me deep strife, and I had failed to find a genuine sense of community outside of work. I didn’t know what I wanted, exactly- but I knew I needed the emptiness for a while. The long drives gave me more than enough time to reflect, but the discomfort in visiting places that I did not know opened a space to think about crafting a new purpose.